CUSTOM TAILORED 1-ON-1 PROGRAM FOR YOUR SUCCESS

You might be just now getting into the art of music making or you can be an experienced and advanced musician/ music producer. We at Dream Art Records Academy do not want to leave anyone behind, that’s the sole reason why we don’t have a one fixed curriculum to serve all system.

Audio Engineering & Music Production has many niches within itself. You might want to just mix songs, or your interest might be only to score films, you can also be a singer-songwriter who wants to release their own music from their home studio. We want to focus individually on each and every one of you and help you develop the skills, improve your workflow and altogether be better at the craft of making music. 

Our 1-on-1 Audio Engineering & Music Production diploma curriculum is a custom designed 03 month’s program for each and every student tailored to their needs, requirements and necessities. Targeting on their weaker segments, we want to build a complete producer who is not only confident with their own music but can also serve a variety of clients.

You will work on multiple topics like sound theory, recording of instruments and vocals, programming of instruments, sound design, song arrangement and structure, film scoring, mixing and mastering for TV streaming and film. The best part is, all the classes are an 1-on-1 experience with Shubhraj, where you will get to view his real client projects and get his personal suggestions and advises for your own songs.

By no means, the curriculum below is a fixed guide for the course, instead it will give you an idea and help you understand what we generally include in this 03 month program.  

All the demonstrations will be done in Logic Pro X and can be easily translated to any other D.A.W
  • Sound Waves & Waveforms
  • Amplitude & Frequencies
  • Phase 
  • Speed 
  • Sound Pressure Level
  • Ultrasound and Infrasound
  • Reverb, Delay & Echo
  • Reflection, Absorption & Diffusion
  • Acoustic vs Audio
  • Sound Barriers
  • Soundproofing
  • De-Coupling 
  • Absorbing Panels & Bass Traps
  • Analog Recording
  • Signal Flow 
  • Computer & Daw
  • Interface, Sound Card & Mixers
  • Microphones
  • Loudspeakers & Headphones
  • Best Gear for Your Setup
  • Single/ Stereo/ Multiple Mic Placement
  • Monitoring 
  • A/D, D/A Converters
  • Preamps & Gain Staging
  • Multi tracking 
  • Piano Roll
  • MIDI
  • Virtual Instruments
  • Sampled Instruments
  • Drums, Melody & Bass Programming 
  • Automation
  • Sampler & Sampling
  • Making Virtual Instruments
  • Sound Synthesis
  • Custom SFX
  • Time & Tune Correction
  • Time Stretching
  • Beat Map
  • Effects Creations
  • Rhythm Arrangement
  • Melody Arrangement
  • Dynamics
  • Segmentation 
  • Structure categories 
  • Transitions & Movements
  • Vocals Recording Signal Chain
  • Recording Sections – Dynamics
  • Double & Quad Tracking
  • Comping
  • Autotune
  • Pitch Correction
  • Layering
  • Harmonies, Octaves, Falsetto, Ad Libitum (Ad Lib)
  • Tempo/BPM Sync
  • Genre Analysis
  • Silent Film
  • Diegetic & Non-Diegetic Sound
  • The Elements of a Score
  • Imaging of Sounds
  • Static Mix
  • Balance, Gain Staging & Equalisation
  • Dynamic EQ, De-Esser, Compressor, Multiband Compressors, Limiters, 
  • Reverb, Echo & Delay
  • Routing, Aux, Bus, Stereo Out, Master
  • Parallel Processing & Sub Mix
  • Automation
  • Preparing Pre Master
  • Mix Transparency
  • Stems Extraction 
  • Automated VS Manual Master
  • The Art of Listening
  • Noise Removal and Artifacts
  • Limiting and Loudness
  • LUFS Standards
  • Harmonic Enhancing 
  • Dynamic Controlled Mastering
  • Bouncing Audio 
  • Master Calibration
  • Exporting Audio 
  • Audio Distribution Formats
  • Audio File Compression Overview
  • Distributing Audio Files